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Shure microphones — the brand most people start with, and most people stay with

Founded in Chicago in 1925, Shure has been making microphones longer than almost anyone. Their mics show up on stages, in studios, on broadcast desks and on podcaster booms because they sound right and they don’t break.

The Big Six

The six Shure mics worth knowing by name

Shure has dozens of microphones in their catalog. But six of them cover roughly 95% of what most people are doing — talking, singing, recording instruments, broadcasting, podcasting, or running a wireless system on stage. Here they are, in one place.

~$430

Shure SM7B

The dynamic broadcast mic. The Joe Rogan mic. The Michael Jackson “Thriller” vocal mic. Heavy, dark, forgiving. Needs a clean preamp.

Read about the SM7B
~$110

Shure SM58

The vocal mic. If you’ve sung into a hand-held mic at a wedding, in a church, or at a concert — there’s a strong chance it was an SM58.

Read about the SM58
~$110

Shure SM57

The instrument mic. Snare drums, guitar amps, brass, even speeches at the White House. The most-recorded microphone in history.

Read about the SM57
$250–$280

Shure MV7 / MV7+

USB and XLR in one body. Built for podcasters who want SM7B character at a friendlier price and a friendlier hookup.

Read about the MV7
$160–$280

Beta Series

The hotter, brighter, tighter cousins of the SM line. Beta 58A, Beta 87A, Beta 52A, Beta 91A — for stage and studio.

Read about the Beta line
$700+

Shure Wireless

SLX-D, QLX-D, ULX-D, and the broadcast-grade Axient Digital. From church-friendly to Grammy-stage reliable.

See the wireless systems
A Bit of History

One hundred years of microphones

Shure Brothers Company started in 1925 selling radio parts kits out of a small Chicago office. By the 1930s they were making microphones. The Model 55 “Unidyne” — that chrome, art-deco mic you’ve seen Elvis hold — came out in 1939 and is still in their catalog today.

The SM57 launched in 1965. The SM58 in 1966. The SM7 in 1973. None of them have changed much since, because they didn’t need to. That kind of staying power in any product is rare. In audio gear it’s almost unheard of.

Quick Comparison

Which Shure mic is right for what?

If you want one quick answer: pick by what you’re doing.

If you’re doing this…Get this
Podcast or YouTube voice recording (XLR)SM7B
Podcast, but you want USB simplicityMV7+
Singing live on a stageSM58
Singing live, want it crisper / louderBeta 58A or Beta 87A
Mic’ing a guitar amp or snare drumSM57
Wireless lavalier or handheld for church / eventsSLX-D system
Pro broadcast or theater wirelessAxient Digital

Why Shure?

Three reasons people keep coming back

If you only buy one Shure microphone in your life Make it an SM58 for vocals or an SM57 for instruments. Either one will outlast every computer, every phone, and every car you own.